Alumni Spotlight : Evie Rose Thornton
Global Winner in the Visual Arts Category for 2024
August 15, 2025

Evie Rose Thornton
Evie Rose Thornton was the Global Winner for the Visual Arts Category in 2024 for Future Landscapes – Blue Carbon Habitat. As a visual artist whose work addresses climate change, envisioning symbiotic futures with nature. In collaboration with the Scottish Oceans Institute, she developed living sculptures to support mussel and oyster habitats, providing natural solutions to coastal flooding.
Evie is a first-class Fine Art graduate from the University of Dundee and has received prestigious awards including the DJCAD Research Prize, the RSA John Kinross Scholarship and was selected for the V&A Dundee’s Graduate Showcase as well as The Global Undergraduate Award for Visual Arts.
We caught up with her almost a year on as she finishes designing our new 2025 Summit Companion visuals and exclusive tote!
Can you share a bit about your academic journey and how it feels to be recognised as a Global Undergraduate Award winner?
I began my academic journey with an HND in Contemporary Art straight after school, 15 years ago. After completing it, I stepped away from the art world to focus on building and running a business, which I successfully grew over the course of a decade. Eventually, the time felt right to pass the reins to someone else and return to both art and education. Determined to complete my undergraduate degree, I re-entered university and, in 2024, graduated—receiving the incredible honour of being named a Global Winner by the Global Undergraduate Awards.
Being recognised by GUA has been a true privilege. It validated the depth of research underpinning my project and gave it a sense of legitimacy, particularly important when combining scientific research with artistic practice. For me, it was essential that my work had a solid foundation of truth, grounded in rigorous research and knowledge, so that it could stand with confidence in both artistic and scientific contexts. This award affirmed that my project not only
had merit but could stand alongside the brightest undergraduate work from across all disciplines worldwide.

Can you share with us what you have been working on since winning the award?
Since receiving the GUA, I have spent two months in Florence on the prestigious John Kinross Scholarship from the Royal Scottish Academy, immersing myself in the landscape and history for inspiration. Upon returning home, I created a body of work that was selected for inclusion in a permanent collection celebrating artistic excellence in Scotland.
Alongside this, I have been actively exhibiting, working with arts organisations, and curating at a gallery. I have also been developing my practice at the Edinburgh Sculpture Workshop, expanding my technical skills and deepening my engagement with sculptural processes.
How did winning the award impact your artistic career and/or personal growth?
The award gave me a deep sense of confidence that the collaborative work I was pursuing had real value beyond my personal curiosity. It reinforced that I was on the right path with my research and that the ideas I was exploring were worth pursuing further.
It also legitimised my work in the eyes of potential collaborators, demonstrating a proven track record of successful, research-led, and innovative projects. This recognition has made it easier to approach people, whether scientists, artists, or organisations, and invite them into my process, knowing I have evidence of producing meaningful, collaborative work.

What advice would you give to aspiring students who are considering submitting their work to the Global Undergraduate Awards?
Just submit your work. You have already done the hard part, which is completing the project/ paper, so you have nothing to lose. If you are genuinely passionate about your subject, that enthusiasm will come through and resonate with the judges. And if you’re fortunate enough to be named a global or regional winner, the experience is incredibly rewarding.
It’s a fantastic opportunity to connect with people from around the world who are just as deeply engaged with their own fields; a community of enthusiastic, dedicated people who share your love of learning. It’s also a chance to share your work on a truly global platform and to see it recognised in an international context. I cannot recommend it enough.
Reflecting on your time in academia, what were some of the most significant challenges you faced, and how did they contribute to your personal and academic growth?
One of the biggest challenges was returning to academia after a decade away. I had to adjust not only to the pace and expectations of academic life but also to new technologies, methods of learning, and ways of thinking. At times, I felt out of step with peers who had come straight from school, but that difference became a strength. My life and business experience gave me resilience, perspective, and problem-solving skills that I could apply to my studies. Those challenges pushed me to work harder, trust my instincts, and embrace the idea that my academic career, though unconventional, was an asset.
Could you highlight a particular academic achievement or moment that stands out as your favourite or most memorable?
A standout moment was realising that my art could meaningfully integrate scientific research. I had been collaborating with Intelligent Growth Solutions at the James Hutton Research Institute on a project exploring vertical farming towers and their role in environmental change, and I saw how combining scientific data with creative interpretation could open up new ways of engaging people in conversations surrounding climate change. It felt like the moment where all my interests clicked into place. That moment changed the direction of my work and thought processes and eventually became the foundation for my GUA-winning project.
Beyond your individual success, how do you envision your academic achievements contributing to your community or the broader world?
My work often deals with environmental awareness and human connection to nature, and I hope it can inspire people to stop, take a moment, and look more closely at the world around them. To look at our planet, life and landscape, through a compassionate lens. By showing that art can translate complex research into something accessible and emotionally resonant, I aim to create bridges between disciplines, making science feel more human and art feel more rooted in truth.
My hope is that the work I make is able to open up the conversation about a very difficult subject, and put the focus on solutions and hope, and what we can possibly do to help care for the planet and the environment.
Can you share the role mentors or advisors played in your academic journey? Any specific advice that profoundly influenced you?
I was fortunate to be surrounded by incredibly influential tutors and mentors during my time at university. They challenged my preconceived ideas about the kind of art I wanted to create. I began my degree focusing on painting, but through many conversations, critiques, and lectures, I discovered that my interests spanned multiple disciplines. My tutors encouraged this shift in direction, supporting me as I redefined my practice and developed my project to completion.
The university technicians were equally invaluable, exceptionally knowledgeable, approachable, and generous with their time. Their attention to detail, patience, and care throughout the making process made a huge difference to the quality and ambition of my work.
Maintaining a balance between academics and well- being is crucial. How have you managed stress and found time for self-care throughout your studies?
Running my own business taught me early on that burnout is both real and counterproductive. During my degree, I made a conscious effort to prioritise walking, spending time in nature, and stepping away from my work when I felt stuck. These activities were not only restorative but also integral to my creative process, so it made sense to place them at the forefront. I also learned to set clear boundaries, ensuring I protected time for rest, studio work, and personal relationships. Maintaining that balance allowed me to return to my work with greater focus, energy, and clarity.
Future Aspirations: Looking ahead, what are your aspirations and goals, both academically and personally, and how do you plan to continue making a positive impact?
Academically, I want to keep deepening my research into eco-materialist approaches and cross-disciplinary collaboration. Personally, I aim to create more opportunities for artists to engage with scientists, communities, and environmental projects. My goal is to continue producing work that is both beautiful and purposeful, helping to foster awareness about climate change, dialogue, and care for the world we share.
For fellow students aspiring to achieve academic excellence, what advice do you have based on your own experiences?
Don’t wait until you feel “ready” as you’ll always be learning and growing, and the perfect moment never comes. Share your work, take risks, and trust that your unique perspective matters. Stay curious, collaborate generously, and remember that the process is just as important as the outcome.
Is there anything else you’d like to share with our listeners – perhaps a piece of wisdom or a lesson you’ve learned during your academic journey?
If there’s one lesson I’ve learned, it’s that no part of your journey is wasted. The years I spent away from art fed directly into the work I do now. Every skill, every detour, every challenge becomes part of the toolkit you bring to your next project. Stay open, keep learning, and never underestimate the power of connecting your passions in unexpected ways.